Edgar Degas, 1887 - The Convalescent - 파인 아트 프린트

The artwork titled "The Convalescent" as art copy

이 19세기 작품은 에 의해 그려졌습니다. 프랑스어 화가 에드거 가스를 제거하다. 작품은 크기로 그려졌습니다. 65,7 × 49,8cm(25 7/8 × 19 5/8인치) 그리고 로 칠했다. 기술 캔버스에 오일. 이 작품은 다음 작품에 포함되어 있습니다. J. 폴 게티 박물관의 디지털 아트 컬렉션. 그만큼 현대 미술 public domain work of art is provided with courtesy of The J. Paul Getty Museum.The creditline of the artpiece is the following: . On top of that, alignment is 초상화 3:4의 이미지 비율을 가지며 이는 다음을 의미합니다. 길이는 너비보다 25% 짧습니다.. Edgar Degas was a male photographer, poet, engraver, painter, sculptor, whose art style was mainly Impressionism. The Impressionist painter was born in the year 1834 83년 프랑스 일드프랑스 파리에서 1917세의 나이로 사망했습니다.

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제품 드롭다운 메뉴에서 개별 크기와 재질을 선택할 수 있습니다. 다음 크기 및 재료는 개별화를 위해 제공되는 옵션입니다.

• 아크릴 유리 인쇄: A glossy acrylic glass print, often referred to as a an art print on plexiglass, will change your favorite original into beautiful décor and forms a viable alternative to canvas or aluminium dibond art prints. The great benefit of a plexiglass print is that contrasts plus artwork details will be more exposed due to the very subtle gradation.
• 알루미늄 디본드(금속 프린트): Aluminium Dibond prints are metal prints with a true effect of depth, which creates a contemporary impression by having a surface , which is not reflective. A direct Direct Print on Aluminum Dibond is the perfect introduction to fine art prints on alu. Colors are bright and luminous, details of the print are crisp and clear. The print on aluminium is the most popular entry-level product and is a modern way to showcase fine art prints, as it draws focus on the image.
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Important note: We try all that we can to depict the products as clearly as we can and to display them visually on the different product detail pages. At the same time, the tone of the print products, as well as the print result might differ somehwat from the image on the monitor. Depending on your screen settings and the condition of the surface, colors can unfortunately not be printed as realistically as the digital version shown here. Since our are processed and printed by hand, there might also be slight variations in the size and exact position of the motif.

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Additional description from The J. Paul Getty Museum (© 저작권 - The J. Paul Getty Museum - J. 폴 게티 박물관)

Although the identity of the sitter in this portrait is a mystery, Edgar Degas conveyed her character by capturing the overwhelming sorrow to which she has succumbed. Posed with her head tilted and leaning against the back of her left hand, she appears weary. Her languorous expression and red-rimmed eyes, together with the limp right arm hanging at her side, suggest a physical or emotional malady, though nothing in the painting confirms the cause of her affliction. Hidden beneath a brown robe and full white gown, her pose is ambiguous; it is unclear if she sits, stands, or leans. The Convalescent attests to Degas's interest in the world of women--their physical characteristics and surroundings, and their complex emotional and psychological conditions.

Unlike traditional nineteenth-century portraits, which were commissioned and usually left the artist's studio upon completion, this depiction of an unidentified woman remained in Degas's studio for at least fifteen years. The painting is unconventional in other ways as well; The Convalescent is more psychologically suggestive and spatially ambiguous than typical portraits of the time, such as Franz Xaver Winterhalter's official portrait, Leonilla, Princess of Sayn-Wittgenstein-Sayn. Degas's thick, unblended brushstrokes and flattened space bring the figure forward, conveying informality and intimacy.