Friedrich von Amerling, 1836 - Flemings Mayor(Baron Pfuel) - 파인 아트 프린트

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"Flemings Mayor (Baron Pfuel)" was made by Friedrich von Amerling. The piece of art was made with the size: 141,5 x 104 cm - frame: 178 x 139 x 15 cm and was made with the 기술 캔버스에 오일. The original artwork's inscription is the following: "signed and dated lower left: Fr. Amerling / 1836". This artpiece can be viewed in in the collection of 전망대. 그만큼 현대 미술 에 있는 작품이다. 공개 의 호의로 제공됩니다. © 벨베데레, 비엔나, 재고 번호: 2683. The creditline of the artwork is: transfer from the Kunsthistorisches Museum, Vienna in 1927. Besides this, the alignment of the digital reproduction is in 초상화 체재 옆 비율로 1 : 1.4, 그 의미 길이는 너비보다 29% 짧습니다.. The painter Friedrich von Amerling was a European artist, whose art style can primarily be classified as Biedermeier. The Biedermeier artist was born in 1803 in Vienna, Vienna state, Austria and died at the age of 84 1887년 오스트리아 비엔나 주의 비엔나에서.

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• 캔버스 인쇄: A UV printed canvas stretched on a wooden stretcher frame. The printed canvas makes a charming and appealing feeling. The advantage of canvas prints is that they are relatively low in weight. This means, it is easy to hang up the Canvas print without the help of additional wall-mounts. That is why, canvas prints are suited for any kind of wall.
• 광택 있는 아크릴 유리 인쇄: A glossy print on acrylic glass, often referred to as a UV print on plexiglass, makes the original into wonderful décor. Your artwork will be made with the help of state-of-the-art UV direct printing technology. It creates deep, rich print colors. The great advantage of an acrylic glass fine art copy is that contrasts as well as color details will be recognizeable thanks to the very subtle tonal gradation.
• 메탈 프린트(알루미늄 디본드): Aluminium Dibond prints are metal prints with an outstanding depth effect, which makes a contemporary impression by having a non-reflective surface. A direct Aluminium Dibond Print is your ideal start to fine art prints with aluminum. The white and bright sections of the work of art shine with a silk gloss, however without glow. The direct print on aluminium is one of the most demanded entry-level products and is an extremely modern way to showcase art prints, since it puts 100% of the viewer’s attention on the whole artwork.
• 캔버스 소재에 인쇄된 포스터: The poster print is a UV printed sheet of canvas paper with a slight surface finish. A poster print is best used for putting the art print with the help of a custom frame. Please note, that depending on the size of the poster print we add a white margin 2 - 6cm around the artwork in order to facilitate the framing with your custom frame.

부인 성명: We try what we can in order to describe the products as closely as possible and to demonstrate them visually in our shop. Nonetheless, the colors of the print materials, as well as the print result might diverge somehwat from the representation on your device's monitor. Depending on the settings of your screen and the nature of the surface, not all color pigments can be printed 100% realistically. In view of the fact that the fine art prints are printed and processed manually, there might as well be minor discrepancies in the motif's size and exact position.

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Original artwork description by the museum's website (© Copyright - Belvedere - 전망대)

The reason for this view is unknown. Neither one knows at what Baron Pfuel is here, for guided von Amerling List recorded for the year 1837 (!), Only the title "Flame Santander Mayor and Portrait of Baron Pfull purchased from Arthaber 60 Duc." Against the assumption it could be meant two paintings, says the amount of the price because Amerling asked for a portrait in the degree of its consistently around 100 ducats. But surprising is that the image in the sequence only under the title "Flemings mayor" is performed (as in 1838 in the catalog of Academy exhibition, as well in the auction catalog of Arthaber collection of the year 1868). It is very likely that there is a role Portrait of Baron Pfuel here, so the depiction of himself as a different person. For this, on the one hand, the panel says after the Flemish fashion of the 17th century, on the other hand - and this is in the foreground - the habit of the man, because he is trying with all its descriptive power the viewer to convince them that it is really him superscript a These public figure from the past; Moreover, the credibility is reinforced by the technique, which corresponds to the type of Anthony van Dyck. [Sabine Grabner 8/2009]