로스 스털링 터너, 1876년 - 접시꽃 - 파인 아트 프린트

박물관 웹사이트에서 제공하는 원본 작품 정보 (© 저작권 - 로스앤젤레스 카운티 미술관 - 로스 앤젤레스 카운티 미술관)

Notes from the curator: Few paintings from Turner’s Munich period are known. Turner’s mentor in Europe, Currier, was the most active still-life painter among the Americans in Munich and may have inspired Turner to attempt to work in that genre. Turner sent two still-life paintings from Munich to the Society of American Artists’ annual in 1880. Of those known today, closest to the museum’s paintings is Still Life with Swords, 1880 (with Child’s Gallery, Boston), which bears the inscription "Munich 80." Although more finished, it shares the warm background and extremely oblong format of Hollyhocks and its concentration of incident at one end of the painting. In an article on composition in 1896 (The Art Interchange 36 [February 1896]: 34) Turner praised oriental art, and Japanese motifs had appeared in his work by the mid-1880s. Although a consciousness of Japanese design is not generally associated with Munich in the 1870s, Hollyhocks’ narrow, vertical format and flat, decorative arrangement of leaves and flowers against a lighter, somewhat golden background suggest that Turner was already aware of Japanese art and decorative concerns. The unfinish of the roughed-in lower half of the canvas also anticipates the tendency to simplification and reduction, which is seen-and was commented upon-in Turner’s later still, life compositions. However, decorative, vertical still-life paintings with light backgrounds by the Austrian artist Hans Makart (1840-1884) are known. One of the outstanding students of the Munich academy in the 1860s, Makart continued to exert a strong influence on decorative painting in Munich even after his removal to Vienna.

Notes from the Contributor: Painting by Ross Sterling Turner (Museum: Los Angeles County Museum of Art)

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이상 140 year-old piece of art called "Hollyhocks" was painted by the artist 로스 스털링 터너. The more than 140 year old original has the dimensions: 31 x 1cm(4 16/1 x 16 79,38/40,79인치). 캔버스에 오일 was used by the American artist as the medium of the painting. This artpiece is in the the 로스앤젤레스 카운티 미술관의 미국 서부에서 가장 큰 미술관인 디지털 컬렉션은 전 세계 142.000년 동안의 예술적 표현을 조명하는 6.000개 이상의 작품 컬렉션을 보유하고 있습니다. -의 호의로 로스앤젤레스 카운티 미술관(www.lacma.org) (라이센스: 퍼블릭 도메인).In addition to that, the artwork has the following creditline: . In addition to this, the alignment of the digital reproduction is portrait with a ratio of 1 : 2, 이는 길이가 너비보다 50% 짧다는 것을 의미합니다.

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