Bruno Liljefors, 1886 - Jays - 파인 아트 프린트

Nationalmuseum Stockholm의 추가 설명 (© 저작권 - 국립박물관 스톡홀름 - 국립박물관 스톡홀름)

English: In Bruno Liljefors painting of jays, for a second one meets a bird's gaze just before it lifts to accompany its friend over the fields. This is a frozen moment. Just as in a photograph of nature with the focus on the bird, the background is somewhat diffuse and sketchy. The beautiful and almost decorative twig that the bird is sitting on is placed to the left of the picture rather than centrally in the middle. The whole composition is asymmetrical and there is strong contrast between foreground and background. Liljefors borrowed inspiration to the somewhat unusual composition in Japanese woodcuts. Characteristic of these prints is the daring use of the surface, the absence of depth and the stylization they employ. But Liljefors never became as completely decorative and stylized in his painting as the Japanese. Rather, he created a synthesis of Japanese perspective and composition and his own realism. I Bruno Liljefors målning Nötskrika möter man för en sekund fågelns blick innan den ska lyfta och följa sin vän i flykt över fältet. Det är ett fruset ögonblick. Precis som i ett naturfotografi med fokus inställt på fågeln är bakgrunden lite diffus och skissartad. Den vackra nästan dekorativa kvisten som fågeln sitter på är placerad till vänster i bild, inte centralt i mitten. Kompositionen, bildens sammansättning, är asymmetrisk med en stark kontrast mellan förgrund och bakgrund. Den spännande och lite ovanliga kompositionen i Nötskrikan har Liljefors hämtat inspiration till från japanska trätryck. De karaktäriseras av djärva bildutsnitt, ytmässighet och stilisering. Men Liljefors blev aldrig lika dekorativ och stiliserande i sitt måleri som japanerna. Istället skapade han en sammansmältning av japanskt perspektiv och komposition och sin egen realism.

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우리는 모든 제품에 대해 다양한 크기와 재료를 제공합니다. 따라서 다음 옵션 중에서 선택할 수 있습니다.

• 인쇄된 아크릴 유리: A glossy print on acrylic glass, which is often described as a fine art print on plexiglass, transforms your favorite original into brilliant home décor and makes a good alternative option to canvas and aluminidum dibond prints. The artwork is manufactured with state-of-the-art UV direct printing machines. This makes stunning, intense colors. With an acrylic glass fine art print sharp contrasts plus small painting details will be more visible with the help of the subtle gradation of the picture. The real glass coating protects your custom fine art print against sunlight and external influences for up to six decades.
• 캔버스: A UV printed canvas mounted on a wooden frame. It generates a special effect of three dimensionality. Canvas prints are relatively low in weight. That means, it is quite simple to hang the Canvas print without additional wall-mounts. Because of thatcanvas prints are suitable for any kind of wall.
• 알루미늄 디본드 프린트: Aluminium Dibond prints are metal prints with an impressive depth effect, which makes a contemporary impression with a surface structure, which is non-reflective. A direct Direct Print on Aluminum Dibond is the excellent introduction to the sophisticated world of art prints manufactured on aluminum. The bright and white sections of the original artwork shimmer with a silk gloss, however without the glow. The direct UV print on Aluminum Dibond is one of the most popular entry-level products and is an extremely modern way to showcase fine art reproductions, since it puts all of the viewer’s focus on the whole artwork.
• 캔버스 소재에 인쇄된 포스터: Our poster is a printed canvas paper with a granular structure on the surface. The poster print is optimally appropriate for framing the art print in a special frame. Please note, that depending on the absolute size of the canvas poster print we add a white margin of something between 2-6cm around the print motif to facilitate the framing with your custom frame.

정보

제이스 was made by Bruno Liljefors in the year 1886. 원본 버전은 절대 크기로 그려졌습니다. 높이: 51cm(20″); 너비: 66cm(25,9″) 액자: 높이: 74cm(29,1″); 너비: 89cm(35″); 깊이: 5cm(1,9″). 이 작품은 스톡홀름 국립박물관의 디지털 컬렉션에 속해 있습니다. 스톡홀름, 스톡홀름 주, 스웨덴. 에 속하는 이 걸작은 공개 의 호의로 제공됩니다. 스톡홀름 국립박물관 및 위키미디어 공용.작품 크레딧: . 게다가 정렬은 경치 의 비율로 4 : 3, 즉 길이는 너비보다 33% 더 깁니다..

법적 고지 사항 : We try our utmost in order to depict the art products in as much detail as possible and to exhibit them visually. Although, the tone of the printed materials, as well as the print result may diverge marginally from the representation on your monitor. Depending on the screen settings and the nature of the surface, not all colors are printed as realisitcally as the digital version depicted here. In view of the fact that all our fine art prints are processed and printed by hand, there may also be minor discrepancies in the exact position and the size of the motif.

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