John Wesley Jarvis, 1812 - Rachel Van der Beek의 초상 - 파인 아트 프린트

작품 Portrait of Rachel Van der Beek 현대 미술가가 만든 존 웨슬리 자비스 새로운 아트프린트로

이름이 붙여진 19세기 예술 작품 Portrait of Rachel Van der Beek 에 의해 그려졌다. 남성 artist John Wesley Jarvis. The piece of art was made with the size 34 x 1cm(8 26/13 x 16 86,68/68,1인치). Oil on wood panel was applied by the artist as the technique for the masterpiece. This artpiece is in the the 로스앤젤레스 카운티 미술관의 미국 서부 최대 규모의 미술관인 디지털 아트 컬렉션은 전 세계 142.000년 간의 예술적 표현을 조명하는 6.000개 이상의 작품 컬렉션을 보유하고 있습니다. 그만큼 현대 미술 에 속하는 작품, 공개 으로 공급되고 있습니다 로스앤젤레스 카운티 미술관(www.lacma.org).: . In addition to this, the alignment of the digital reproduction is portrait and has a side ratio of 3 : 4, 길이가 너비보다 25% 짧다는 것을 의미합니다.

What does the original description of the Los Angeles County Museum of Art say about the 19th century work of art from the painter John Wesley Jarvis? (© Copyright - Los Angeles County Museum of Art - www.lacma.org)

Notes from the Curator: The sitters both descended from very old Dutch families of New Jersey Isaack Van der Beek (by 1805 he spelled his name Isaac Vanderbeck) was born in Hackensack on October 29, 1743, and died in New York on May 27,1833. On November 27,1767, he married Rachel Ryerson of Saddle River. She was born on May 13, 1751, and died in New York on February 23, 1825. Their only child was a daughter, Ann. Isaac Van der Beek was active in the patriot militia during the Revolutionary War. In 1791 he was an elder of the Dutch Church in Hackensack and in 1805 president of the town’s board of trustees. The couple is listed in the New York census of 1810 but not the census of 1820, although their wills, hers in 1823 and his in 1833, describe them as residents of New York. Their estates consisted primarily of real estate in New York and Newburgh, New Jersey. The portraits have been attributed to several different artists. They were originally sold in 1918 and in the 1920s as by GILBERT STUART, with a statement of authenticity from Jonce I. McGurck. Lawrence Park felt they were by John Vanderlyn (1775-1852). William Sawitzky attributed them to James Frothingham (1786-1864). The staff of the Frick Art Reference Library and also Harold E. Dickson felt they were by John Wesley Jarvis. This last attribution seems to be the correct one, judging especially from the clarity of the spirited likenesses and the summary fashion in which the arms and hands are painted. According to family tradition, they were painted in 1807, which would have been about the time the couple moved to New York, but a relative fluency of technique suggests that Jarvis may have painted them as much as five years later.

Notes from the Contributor: Painting by John Wesley Jarvis (Museum: Los Angeles County Museum of Art)

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