Thomas Waterman Wood, 1866 - A Bit of War History: The Veteran - 파인 아트 프린트

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• 인쇄된 아크릴 유리(실제 유리 코팅 포함): An acrylic glass print, which is sometimes described as a plexiglass print, will convert your favorite original work of art into great décor. Your own copy of the artwork will be printed with modern UV printing technology.
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부인 성명: We try everythig possible in order to describe our products in as much detail as possible and to illustrate them visually in our shop. Nonetheless, the tone of the printing material, as well as the printing may vary slightly from the representation on your device's screen. Depending on the screen settings and the nature of the surface, color pigments can unfortunately not be printed one hundret percent realistically. Bearing in mind that the are printed and processed manually, there may as well be minor discrepancies in the motif's exact position and the size.

메트로폴리탄 미술관 웹사이트의 작품 설명 (© 저작권 - 메트로폴리탄 미술관 - 예술의 메트로폴리탄 박물관)

This painting is one of a group of three canvases (84.12a--c) said to have been inspired by the imagined narrative of an African American soldier in the Civil War. In "The Contraband," (84.12a) the newly emancipated slave, his belongings wrapped in an old kerchief, seeks enlistment in the Union army. Having been trained for service and wearing his uniform, he looks happy and proud in "The Recruit" (84.12b). In "The Veteran," he is an amputee returning to the same office to draw his back pay or pension. Wood used a slightly different palette and handling in each picture, suggesting that the works were not painted in quick succession.

예술 제품 요약

끝 150 year old work of art was painted by the painter 토마스 워터맨 우드 in 1866. 원본 버전은 다음 치수로 그려졌습니다. 28 1/4 x 20 1/4 in (71,8 x 51,4 cm) (framed with 84,12a and 84,12b). 캔버스에 오일 was used by the artist as the technique for the masterpiece. Besides, the artpiece is included in the digital art collection of The Metropolitan Museum of Art. With courtesy of: The Metropolitan Museum of Art, New York, Gift of Charles Stewart Smith, 1884 (퍼블릭 도메인 라이선스). : 찰스 스튜어트 스미스 기증, 1884. 게다가 얼라인먼트는 초상화 체재 옆 비율로 1 : 1.4, 어느 의미 길이는 너비보다 29% 짧습니다..

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