Fernand Pelez, 1904 - 앞으로 구부러진 빵을 물고 주머니에 손을 넣은 남자 - 미술품

예술 작품은 예술가에 의해 만들어졌습니다. 페르낭 펠레즈. The painting had the size Height: 179,6 cm, Width: 70,3 cm. 유채, 캔버스(소재) was applied by the painter as the medium of the piece of art. Besides, this artpiece is part of the collection of 프티 팔레 - Musée des Beaux-arts de la Ville de Paris. 의례: 쁘띠 팔레 파리 (퍼블릭 도메인 라이선스).: . 게다가, 디지털 복제의 정렬은 초상화 체재 비율은 2:5이며 이는 다음을 의미합니다. 길이는 너비보다 60% 짧습니다..

Original artwork description as provided by Petit Palais - Musée des Beaux-arts de la Ville de Paris (© Copyright - Petit Palais - Musée des Beaux-arts de la Ville de Paris - 프티 팔레 - Musée des Beaux-arts de la Ville de Paris)

Man wearing a cap bent forward, hands in pockets

The Bite of bread is the only painting by Peel for the state on the occasion of an order from the Department of Fine Arts in 1881 on the theme "The Charitée. The implementation of this large composition (National Fund contemporary art) only start after 1900 and will be completed in 1908. Ten preparatory sketches are conserved Petit Palais. They are painted in a dark shades in the manner of ink wash. the characters are represented by group or individually, life size. urban poverty affects primarily a workforce unskilled, sick and injured workers, that economic crises leave unemployed and without resources. Given the backwardness of social reforms, Catholic organizations still occupy at the end of the nineteenth century a prominent place in charitable activity. Open street Cujas, the work of the bite of bread is named in reference to the last Supper of Jesus with the apostles.

About society, morals, rights, poverty - Misery

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• 인쇄된 아크릴 유리: The acrylic glass print, which is sometimes described as a plexiglass print, makes the original artwork into décor. In addition, the acrylic glass fine art print makes a good alternative option to dibond and canvas fine art prints. Your artwork will be manufactured with the help of state-of-the-art UV printing technology. The special effect of this are deep, intense colors.
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