Anna Ancher, 1891 - A Funeral - 파인 아트 프린트

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• 알루미늄 디본드 인쇄(금속): An Aluminium Dibond print is a print material with an outstanding effect of depth, creating a modern look thanks to a non-reflective surface structure. A direct Direct Print on Aluminum Dibond is your ideal start to art replicas produced on aluminum.
• 캔버스: A canvas print is a printed canvas mounted on a wooden stretcher. Besides, canvas print produces a cosy, appealing feeling. Canvas prints are relatively low in weight, which implies that it is easy to hang up the Canvas print without extra wall-mounts. A canvas print is suitable for all kinds of walls.
• 아크릴 유리 인쇄: An print on acrylic glass, which is sometimes described as a print on plexiglass, transforms your favorite original artwork into wonderful wall decoration and forms a great alternative option to dibond or canvas art prints. The artwork is being made with modern UV direct printing technology. This has the impression of stunning, vibrant colors. With an acrylic glass fine art print contrasts and details will be recognizeable thanks to the fine gradation.
• 캔버스 소재에 인쇄된 포스터: The poster print is a UV printed sheet of cotton canvas with a slight structure on the surface. The poster is excellently suited for putting the art copy using a personal frame. Please note, that depending on the size of the poster we add a white margin of approximately 2 - 6cm round about the artwork, which facilitates the framing.

법적 고지 사항 : We try our utmost in order to describe the art products in as much detail as possible and to illustrate them visually in our shop. Still, the colors of the print products and the print result can vary to a certain extent from the presentation on your screen. Depending on the screen settings and the quality of the surface, color pigments can unfortunately not be printed one hundret percent realistically. In view of the fact that our are printed and processed by hand, there may also be slight variations in the motif's size and exact position.

박물관의 원본 작품 정보 (© - Statens Museum for Kunst(덴마크 국립 미술관) - Statens Museum for Kunst (덴마크 국립 미술관))

1854년 82월 Frederik Vermehren은 유틀란트 황무지에서 XNUMX세의 양치기를 만났습니다. 그는 양들과 함께 꽃이 만발한 헤더 사이에서 뜨개질을 하며 방황했고, 그의 유일한 동료는 그의 발치에 쉬고 있는 개였습니다. 다음 몇 달 동안 이 우연한 만남은 덴마크 미술사에서 주요 시골 풍경 중 하나를 탄생시켰습니다.

Man's affinity with nature Working his way through several pencil and painted studies, Vermehren slowly approached the final incarnation of the scene which is about much more than simply the old man on the moors. Taking the mundane scene as its point of departure, the picture before us is a rendition of man’s affinity with nature, of a simple life lived in harmony with nature and the God whose presence is felt in the grand landscape.

A metaphysical dimension The picture’s feel of having a metaphysical dimension is largely the result of the intensified light, the endless landscape, and – more specifically – the barrows in the background.

Eckersberg's view of art Within art history Vermehren is often referred to as a conservative guardian of the status quo. This is a consequence of the views he expressed during his many years as a professor, concluded with his retirement 1901: He unfailingly insisted on a view of art that originated with C. W. Eckersberg (1783-1853) in the beginning of the century. Thus, younger artists regarded him as a relic from days gone by. Back in the 1850s, however, Vermehren belonged to the progressive wing within Danish art and was one of the most active figures in the first rebellion against the Royal Danish Academy of Fine Arts’ resistance to change.

올해 1891 전에, 남성 예술가 안나 앵커 created the work of art "A Funeral". The artwork is included in the digital art collection of Statens Museum for Kunst (National Gallery of Denmark) in Copenhagen, Denmark. We are happy to reference that the 공개 예술 작품은 의 호의로 포함됩니다 덴마크 국립 미술관.: . 무엇보다 디지털 복제의 정렬은 경치 옆 비율로 1.2 : 1, 그 의미 길이는 너비보다 20% 더 깁니다..

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