Peter Paul Rubens, 1624 - Mathaeus Yrsselius (1541-1629), Abbot of St Michael's - 파인 아트 프린트

The artwork "Matthaeus Yrsselius (1541-1629), Abbot of St Michael's" by the Baroque artist 피터 폴 루벤스 새로운 아트 카피로

"Matthaeus Yrsselius (1541-1629), Abbot of St Michael's" is an artpiece painted by the painter 피터 폴 루벤스. 요즘 예술 작품은 예술의 일부입니다. Statens Museum for Kunst(덴마크 국립 미술관)의 덴마크에서 가장 큰 미술 박물관이며 덴마크 문화부에 소속되어 있습니다. 덴마크 국립 미술관 제공 (퍼블릭 도메인 라이선스).: . 게다가 얼라인먼트가 초상화 측면 비율이 다음과 같은 형식 1 : 1.2, 그 의미 길이는 너비보다 20% 짧습니다.. The diplomat, painter Peter Paul Rubens was a European artist from the Netherlands, whose art style was primarily Baroque. The artist lived for 63 years, born in the year 1577 독일 노르트라인베스트팔렌주 지겐에서 태어나 1640년 벨기에 플랑드르주 앤트워펜주 앤트워프에서 사망했습니다.

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• 캔버스 인쇄: The canvas print is a printed canvas mounted on a wooden stretcher. A canvas generates the distinctive effect of three-dimensionality. Canvas Prints have the advantage of being relatively low in weight, which implies that it is quite simple to hang up your Canvas print without additional wall-mounts. That is why, canvas prints are suited for all types of walls in your house.
• 알루미늄 프린트(알루미늄 디본드): An Aluminium Dibond print is a print with an outstanding effect of depth. For our Direct Print On Aluminum Dibond, we print the chosen work of art right on the surface of the white-primed aluminum.
• 광택 아크릴 유리에 인쇄(상단에 실제 유리 코팅): The print on acrylic glass, which is often referenced as a an art print on plexiglass, will turn your favorite original work of art into magnificient home decoration and offers a viable alternative to canvas and dibond fine art prints. The artwork is printed thanks to state-of-the-art UV direct printing technology. This makes sharp and vivid colors.
• 캔버스 소재의 포스터 인쇄: 　 Artprinta poster is a UV printed flat canvas with a slightly rough surface texture, which reminds the actual work of art. Please keep in mind, that depending on the size of the poster we add a white margin of around 2 - 6cm round about the print motif to facilitate the framing.

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What does the curator team of the Statens Museum for Kunst (National Gallery of Denmark) state about this 17th century artwork made by Peter Paul Rubens? (© - Statens Museum for Kunst (National Gallery of Denmark) - www.smk.dk)

Yrsselius was originally a sepulchral tablet accompanied by an epitaph which does not survive today. The tablet was originally placed by the abbot’s grave in the church of the St.Michael’s Abbey. A few years prior to his death the abbot gave the church an altarpiece for the high altar, featuring a Rubens painting of the Adoration of the Magi.

Part of an all-inclusive decoration The tablet was intended to be hung in such a way that the abbot looked towards the high altar with his hands folded in “eternal prayer”, taking part in the adoration of the Christ Child on the altarpiece. This form of all-inclusive decoration, where figures in paintings are connected by the mental bridge established through a gaze, a gesture, or spatial links, is a typical feature of the Baroque.

The portrait's colour scheme Matthæus Yrsselius had his portrait painting wearing the white habit of the Premonstratensians with the mitre and the crozier by his side. In a colour scheme typical for Rubens, the white habit shines like mother-of-pearl against a lacquer-red background where the shadow cast by the crozier gives depth.