헨리 오사와 태너, 1914년 - 달빛, 탕헤르의 벽 - 순수 예술 인쇄

Original information about the artwork from the museum's website (© Copyright - Los Angeles County Museum of Art - 로스 앤젤레스 카운티 미술관)

Following his 1910 trip to Morocco, Tanner painted many scenes of Tangiers and exhibited them in Chicago at Thurber Art Galleries in 1911 and in New York at M. Knoedler & Co. in 1913. Although Moonlight: Walls of Tangiers has traditionally been dated 1914, based on William Preston Harrison’s authority, the painting may have been executed earlier, for several of the works exhibited in 1913 have similar titles, in particular one painting entitled Moonrise: Walls of Tangiers. Although the North African locale provided the same exotic scenery incorporated in Tanner’s religious images, the Moroccan scenes are not religious. The elimination of a narrative may have assisted Tanner in his exploration of the formal aspects of painting, for it is just during these prewar years that his art underwent its last stylistic change. Tanner used his views of the streets, walls, and arcades of the city to explore the phenomena of color and light, not in an analytical manner as did the impressionists, but rather in harmony with both his own romanticism and turn-of-the-century tonalist trends in Europe and the United States. The Moroccan paintings are all vague, shadowy scenes painted in one predominant hue with thick, scumbled passages over rich glazing on a white ground. The blue and green palette of Moonlight: Walls of Tangiers has shades of yellow, peach, and purple. Tanner had begun to experiment with pigments and glazes around 1907 and by World War I was almost exclusively using the complex technique of layered glazes. Perhaps it was his renewed acquaintance with the Orient that enabled Tanner to develop the more resonant and colorful painting style characteristic of his art from about 1910 until his death in 1937.

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XNUMXD덴탈의 현대 미술 masterpiece was made by the American artist 헨리 오사와 태너. 원본은 크기를 측정합니다. 25 x 7cm(8 21/1 x 4 65,72/54,1인치) 매체로 제조되었습니다. 캔버스에 오일. The work of art is included in the Los Angeles County Museum of Art's collection. With courtesy of: 로스앤젤레스 카운티 미술관(www.lacma.org) (licensed: public domain).: . In addition to this, the alignment is 초상화 측면 비율이 1:1.2이면 길이는 너비보다 20% 짧습니다..

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